One thing Mum always taught me was to have a number of staples in the pantry or fridge just in case you don’t have anything to cook and no time to get to the shops. Therefore 9 times out of 10, I will always have eggs, pasta and puff pastry amongst other ingredients in my current possession. Strange I know, but several times I have been able to whip something up in no time at all with these bare basics. 5 years ago, I lived in Paddington, Sydney and of all things, I knew I was out of puff and had some friends popping over in 30 minutes for afternoon tea. With IGA closed and unable to buy my usual Pampas variety, I headed into Paddington Fine Foods and pondered the $19.95 price tag of some pastry called Careme. It was all fancy in a lemon-yellow rectangular box and certainly much more than the usual $4 budget and after only a couple of seconds pondering with only 20 minutes now to spare, I whipped out a twenty and I was walking home quick smart re-counting the recipe in my head.
5 years on and my man recently surprised me with a gorgeous weekend away to the Barossa for my birthday and following my love of markets, we headed to the Barossa Farmers Markets. Open each Saturday, the markets are the finest selection in the valley of all the local produce and immediately my senses were enticed the minute I entered the gates. On an A-stand up ahead, I suddenly recognised the word Careme written amongst lemon meringue, chocolate – and passion-fruit and not being able to help myself, I wandered over to the mini glass fridge showcasing its delicate pastries and tarts – all ready and shiny to eat. Looking like they had just come out of the oven, I purchased a lemon meringue tart and watched as the girl carefully lifted it out and into a tiny white cake box before taping it shut with a oval yellow sticker. Holding my prized possession upright and licking my lips with anticipation, my man only had to look at me for half a second to realise I had succumbed and found something to love and so tantalising to buy. Reaching the car, I tried to hold back but could not resist a nibble or more like the whole tart, instantly savouring the sweetness of the lemon curd and the lightness of the Careme pastry and the Paddington memory came flooding back. Based in Tanunda, S.A. and owned by locals, William and Claire Wood, Careme is named after the famous Patissier, Antonin Careme (1783-1833) and after devouring the lemon meringue tart, I now know in reflection that it was definitely worth every last cent of that $19.95.
At a dinner table conversation last month; all I heard was “the baby is…like…the size of…this room.” Enough to pay attention when you’re in a restaurant of normal size and enough to hold a good 60 people comfortably. Looking around me and taking in the width and length of the room, I thought “no, it can’t be.” Paying slightly more attention I heard a friend describing the latest art exhibition in the Christchurch Art Gallery, “his name starts with an R, Robert something maybe but so lifelike…a must see!” In Christchurch last month specifically for a spectacular birthday celebration 72-hour stay, thoughts didn’t carry much further than cake and candles but with a spare morning and time to kill, my man and I headed to the gallery to find a queue of people waiting patiently for not a Robert something but a Ron Mueck.
I consider myself to be somewhat of an arty fart; not obsessed but I have been to my fair few share of art galleries and exhibitions around the world. Aside from staring at the Mona Lisa for 15 seconds in the Louvre, I love wandering through the MoMA when in New York and last year I spent a couple of hours walking through the Peggy Guggenheim in Venice; unable to comprehend that this was once someone’s private collection of art. However, never before has an exhibition stayed with me for so long after, as real as if I had just left the gallery, taking me back to the moment when I saw and simply stared and kept staring trying to take it all in. Ron Mueck is a first for me in this regard.
Turning the corner and stepping into the exhibition the first thing I see is Dead Dad, so fantastically real (from all the CSIs I watch) with its stubble, yellowing skin, floppy but stiff pose if not for being 2/3 smaller than an actual human. Ron Mueck is a renowned hyper-realist sculpture artist, born in Melbourne and working out of Great Britain. Discovered by Charles Saatchi after making a lifelike Pinocchio for a London play, he has made a series of human forms so lifelike in sculpture that you can’t help but stare and ponder and wonder how on earth has someone made this? Following on we come across the larger than life newborn baby who looks like it has just popped out of a giantess, with its umbilical cord laying there and its skin all creased from the pressures of labour. I am next confronted by a woman In Bed, contemplating life with her doona pulled up and her hand raised to her face. I feel like I have been that woman at some stage when all of life’s woes come to a standstill and are still unfortunately there the morning after; if only she wasn’t at least 15 metres long. Through Mueck’s processes, he manages to use resin and silicone to get the creases of the skin right when the foot bends in a stocking, to finely place hair by hair on a chin to get a 5 o’clock shadow right and to get the tautness of a muscle so correct that you can feel your own leg mimicking the sculpture before you.
I left the gallery in awe and astounded by this person’s talents. So, when you next see a poster where it announces that Ron Mueck is showing at an exhibition near you, all I can say is – go!